The rest of my completed figures, six in total.

All rephotographed in better light. First, two Copplestone female archaeologists (yes, I know I already have these, but I wanted them in more tropical attire;

And here are their armed companions (who I also already have);

Next up is a Bad Squiddo Community mini, Queen Zenobia of Palmyra. You can read about her HERE;

And finally, here is a Steampunk version of the Marvel super baddie, Doctor Octopus. He is from Ironclad Miniatures;

He is a suitable colleague for another Ironclad Miniatures bad guy, who I pained ages ago and called The Mad Inventor. I'm going to assume that this chap has been given these extra limbs by the former. The pair of them, plus their Automata should be a real handful in Steampunk, In Her Majesty's Name and Pulp games.

So, that is me finished with painting until I get back from holiday.

Back in early 2018, I started off a project .....................

.............. but I abandoned it, half painted. Over the years I did a few bits and pieces but it stayed in a box, mostly forgotten.

However, while I've been painting other things this year, I've gone back to the abandoned project while waiting for things to dry and brought my earlier efforts up to a better standard, as much as possible.

The project was going to be a Zanzibari Arab slaver band for Congo, but we stopped playing those rules and I couldn't see much point in carrying on at the time. Now, though, I can see how the figures could be useful for all sorts of things, In Her Majesty's Name, for example, or Pulp games in general. So, without further ado, here are the first few figures out of the completed total.

These figures represent a variety of characters and leaders. I particularly like the two on the left, especially the one in the red turban with a double-barrelled shotgun and also the one-eyed piratical guy on the far-right, with his pet monkey sitting on his shoulder.

Next are two groups of Baluchis (now known as Baloch) with jezails;

I think I overdid the Army Painter strong tone a bit on the two guys in green, but I don't think it really matters.

As far as I have discovered, Baluchi people spread out around the coasts of the Indian Ocean and Arabian Gulf and ended up in East Africa when the Sultanate of Muscat controlled large parts of the East African coast. 

As you can see, I went for a much more colourful palette for the clothing of all these figures, mainly because I wanted a kind of Hollywood style for them, but also because I didn't want to paint up and endless series of figures in white. Yes, I know, I've recently been painting Napoleonic Austrians, but when I started on this in 2018 I was less confident about painting large areas of white.

There are plenty more figures finished off, so I'll post the rest of them over the next week or so.

Two more vampires

I had a quiet lazy day yesterday, what with my partner being off out all day so I got on with some more painting and did two more vampires.

These have a much more Carpathian or Eastern European feel than the previous two. They are Noble Vampires from the North Star Frostgrave Blood Legacy range of figures and I really like them a lot. I probably won't ever play Blood Legacy, but these two have so much potential for all manner of things.

I think that the forested mountains of Transylvania are likely to be their original home, because they really do have that Balkan nobility vibe about them. There is a Gothic supplement for In Her Majesty's Name which has been brought up to date for the second edition of the rules. You can download it here. These figures seem to be pretty much perfect for IHMN, but are also going to work with all manner of horror or Pulp rules, and even with The Silver Bayonet, especially if you want to play in a Russian setting.

One of the nice things about a warm day is that things dry quickly and your varnish won't go cloudy. I got up before 7:30 this morning and varnished and photographed the pair of toothy horrors. I think that they have turned out really well.

Five more gunslingers.

 Here are the next five figures for my Wild West project. Again, these are all Artizan Wild West minis.

I really like this guy on the left. He's got the look of a saloon bar piano player about him, but possibly one with a bit of a hot temper, always ready to settle an argument with a pair of six shooters. He's definitely got a bit of an attitude in this pose. A really nice sculpt.

This figure is my only female gunslinger, at least so far. She isn't going to take any nonsense from anyone. A tough and uncompromising woman in a tough male world.

Next, here are three useful generic gunfighters who will find work in whatever posse or gang needs new recruits. They could also represent a rancher and two of his ranch hands, protecting the herd from rustlers.

These are the end of my Artizan figures, but I have two gangs of minis by Great Escape Games in my Dead Man's Hand starter box set, one of lawmen and the other of outlaws. I will get them done at some point, but now I fancy a break from the Old West.

Three stereotypical Western Characters

 Again, these are all Artizan Wild West minis.

The two right-hand figures are from the "Frontier characters" set and the left-hand one is one of the "Hired Guns". I decided to paint him as an Indian Cavalry Scout, because that is exactly what he looks like to me.

The other two are staples of many Westerns; a grizzled gold or silver miner, most likely down on his luck and just hanging around town looking for a few opportunities to make a dollar or two, and an even more grizzled hunter in a bearskin coat and with a long breech-loading rifle with a telescopic sight. Of course, you can shoot more than just bears with a weapon like that .....

I am really impressed with these Artizan figures. The sculpts have bags of character and are a joy to paint. I know that I've said it before, but it is worth repeating.

These will all work for the usual range of games, but I'll admit that I keep looking at the Cavalry figures, the OK Corral characters and the spooky Western Horror ones in the Grim Prairie Tales range too.

I know. You start a project which is a sensible size and then scope creep sets in. I spent long enough working in IT to know how it happens.

Pinkerton Agents

More Wild West figures from Artizan; 

These are Pinkerton agents, but could also represent US government secret agents.

The organisation was founded in the 1850s by Allan Pinkerton, a Scottish detective and Chicago attorney Edward Rucker as the North-Western Police Agency. It later changed its name to the Pinkerton Agency.

It was founded to help enable businessmen control and monitor their employees and to prevent industrial action and strikes. The Agency also worked with the US government as a supplement to the government's own Secret Service. In addition to its activities in strike-breaking and spying on unions and labour organisations, Pinkerton agents were also involved in crime-fighting in the Wild West, notably against bank and train robbers.

These figures are clearly suitable for use in all manner of settings, especially in games of In Her Majesty's Name and other VSF and Steampunk, as well as western gunfighting games.

OK, so you got a tin star now ..................

 ........... but does that make you the Law around here?

After the previous posts, it seems appropriate to offer up the men whose job it is to keep the bad guys in check. 

These are two Sheriffs, ready to take on the outlaws, hell-raisers and trouble-makers who ride into town. Once again, they are Artizan Designs figures.

Of course, they can expect (hope?) to rely on the other law-abiding citizens around for moral and actual support when the bullets start flying, but who knows what'll really happen when the piano player stops playing?

Once again, these will see plenty of action in all kinds of games.

The Preacher rides into town

... but will he save souls or damn them to Hell? Only time will tell.

The vengeful unhinged Preacher is a real cliché of the more Gothic end of the Western film genre, but it is one of those clichés that I think really works within a narrative gaming setting. 

The Man in the Long Black Coat comes into town to dispense the Lord's Justice or maybe to save the sinners and innocents from an unknown Dark Menace. Either way, there a few game scenarios there.

Of course, the Preacher needs his Acolytes and what better than two hard-bitten believers with rifles and shotguns?

Once again, these figures are by Artizan Designs from their Wild West range. The Preacher is one of three "Frontier Characters". The other two will feature later on in this small project.

The Preacher will be equally at home in traditional western skirmish settings, but also ideal for more fantastical settings, such as In Her Majesty's Name or even ones involving Cosmic Horrors, Zombies and other eldritch scenarios.

Well, howdy pardner! Six gunslingers ride into town.

 Yes, I am painting cowboys, outlaws and gunslingers. Here are the first six;

Above are three gunslingers in duster coats. A duster coat was made of linen, heavy cotton or even canvas to protect the wearer's clothes from the dust kicked up when riding the trails of the Old West.

Next, we have three Mexican caballeros in their classic leather chaparreras, later called chaps and adopted by American riders.

These are all from the Artizan Designs Wild West range, available from North Star. I am really impressed with these figures. They are terrific sculpts with lots of character and atmosphere about them. 

I will be using these figures for the Dead Man's Hand western gunfighting rules, published by Great Escape Games, having already played a few simple games of these rules which were a lot of fun.

I will also be able to use them for certain scenarios using the In Her Majesty's Name rules and I am sure that there will be other opportunities to get them on the table. I can even see them in some kind of Wild West Pulp and Horror settings.

I've deliberately gone for a weather-beaten and dusty look for these figures, because I don't think that cowboys ought to look like they have just got back from the dry cleaner with their best threads.

I have plenty more to paint, so I'll be filling the blog with shootouts and quick-draw outlaws over the next week or so.

Two Determined Young Ladies for Victorian Sci Fi games

 Here are two more additions to my VSF collection, once again from Ironclad Miniatures.

These two Determined Young Ladies are Miss Dorothea Huntley-Palmer (on the left) and her cousin Miss Emily Ward.

Dorothea is the daughter of Sir Arthur and Lady Caroline Huntley-Palmer, and therefor the niece of Sir Henry. Since her travels in Syldavia a few years ago, she has become a formidable swordswoman, an excellent horsewoman and a passable shot with the pistol. She has also earned herself a reputation as a scholar of certain arcane areas of what we might call the Dark Arts.

Emily is the younger daughter of Jacquetta, the sister of Lady Caroline, who is married to a prominent American archaeologist and scholar, Professor Charles Phillips Ward of Miskatonic University, Arkham, Massachusetts. Emily is an excellent shot with all manner of firearms and is a noted investigator of the Occult. She has accompanied her father of an number of archaeological expeditions to the Middle East, Central America and the Caucasus.

The Shooting Party

Four more nice figures from the excellent Ironclad Miniatures Victorian Science Fiction range, described on the website as "Victorians armed with sporting guns".

I have decided that these are four associates of Sir Henry Huntley-Palmer, old friends, drinking and shooting partners and also stout chaps who can always be relied upon to accompany him on his occasionally dangerous missions and exploits, which are sometimes sanctioned by a Mysterious Government Agency but might also be unsanctioned freelance operations.

From left to right they are George Davenport, a retired Metropolitan Police Officer, "Gentleman" Jim Mason, a bon viveur and alleged cracksman, Sir Arthur "Binkie" Beaumont QC, a former criminal barrister and Percy "Nobby" Nobbs, Sir Arthur's gamekeeper.

When Sir Henry requires their services they are always available and collectively they are known as "The Shooting Party".

In Her Majesty's Name is clearly where they are going to see most use, but they should also be useful where tentacled unpleasantness and eldritch goings-on are likely to happen.

The Household Staff

 Finally, I've finished something in April.

These are the household staff of Sir Henry Huntley-Palmer, who I have written about here. 

From left to right we have Mrs Miggins, the cook, Molly, the maid, Mr Hodges, the butler and James, the footman.

As you can see, Sir Henry expects his staff to be prepared for all possible situations.

Mr Hodges (known as Mr 'Odges to the other staff) was formerly a Troop Sergeant Major in Sir Henry's old regiment, the 10th (The Prince of Wales's Own) Royal Hussars and the two men have a shared history going back many years. 

James Smith, the footman is another former member of the 10th Royal Hussars, where he attained the rank of Corporal of Horse. James's face carries a terrible scar, acquired from a Pathan scimitar on active service on the Northwest Frontier.

These figures are from Ironclad Miniatures Victorian Science Fiction range, and they are very nice figures indeed. They are destined to find a place in many games of In Her Majesty's Name and probably other things too.

A couple more Victorian Science Fiction figures

I actually painted these two last year, but somehow forgot all about them until now. As some regular readers might remember, I had a lot of turmoil and anguish last year with one of my dogs, so I am pretty sure that is why they never got onto the blog. I have given the photo the title of "A Steampunk Hero and Heroine". They are from the North Star Steampunk range.

These two feature heavily in the illustrations in the original In Her Majesty's Name rulebook, so I felt like I really ought to have them in my collection.

As an aside, a new edition of the revised and updated rules will soon be available. Personally, I am really looking forward to getting my hands on a copy.

Anyway, such characters need names and a background, so here are;

Captain George Ruff-Diamond, late of the Rifle Brigade, is now employed by an undisclosed Mysterious Government Agency in an unspecified capacity. Capt. Ruff-Diamond travels widely across Europe and beyond and is a noted bon viveur, sportsman and explorer. He lives on private means although the source of his wealth is shrouded in secrecy. Capt. Ruff-Diamond is a close friend of Professor Henry Hardy and was once romantically-linked to his sister Miss Amelia Hardy, with whom he remains on friendly terms.

Miss Felicity Ward. Miss Ward is a noted writer of fantastical romances and books on such matters as Spiritualism and the Occult. A former student of Archaeology and History at Brichester University and the École Nationale des Sciences Arcanes in Bordeaux, Miss Ward has travelled widely in the Near East and Eastern Europe and is the daughter of the noted American Anthropologist Professor Charles Phillips Ward of Arkham, Massachusetts and his second wife, Lady Jacquetta Melchett, the noted painter and poet. Miss Ward is a noted fencer and horsewoman and is considered to be an excellent markswoman with both pistol and rifle.

Six More Steampunk figures.

I painted these six a while ago, but didn't varnish them, due to the humidity. I put them in a box for safe keeping and only remembered them yesterday. So, here they are varnished and photographed.

First, Professor Prospero, Criminal Mastermind and his Arch-Nemesis, Sir Henry Huntley-Palmer.

Professor Prospero is a man of great intellect and few moral scruples. His interests include making huge amounts of money, outsmarting the minions of Laura Norder and making even more money. His fingers are in many pies; drug smuggling, white slavery, art theft, forgery, blackmail and espionage are only the most common of his criminal activities. He is often found working for Foreign Government Agencies and Secret Shadowy Powers. The Professor's preferred weapon is his sword stick, but he is also a Master of Mesmerism and other Arcane Talents.

Sir Henry Huntley-Palmer, late of the 10th (The Prince of Wales's Own) Royal Hussars, is a man of huge physical strength, which exceeds his intellectual prowess, and much personal charm. His friends tend to think of him as a clubbable stout chap, always worth having on one's side in a scrap but hardly the book-reading aesthete. His favourite weapon is the fearsome seven-barrelled Nock Gun. A founder member of The Adventurer's Society of Pall Mall, Sir Henry is descended from the famous 18th century government agent and soldier Sir William Huntley-Palmer, and is the younger brother of the diplomat and Foreign Office mandarin Sir Arthur Huntley-Palmer. Sir Henry's father, Lt. Col Henry Huntley-Palmer (b.1801 d.1889) was formerly British Military attaché to Syldavia in the 1850s.

Next, here are four more Agents of a Secret Shadowy Power. The first two are equipped with some long-range firepower. The one on the right has a Nock Gun and his companion is equipped with some kind of experimental gun for firing explosive or gas grenades.

And finally, here are two more Agents with the same kind of pistols and bombs as their comrades I painted a while back.

I think that these Shadowy Agents will end up carrying out the Nefarious Schemes and Damnable Stratagems of Professor Prospero most of the time.

These figures are all from the excellent Ironclad Miniatures Victorian Sci Fi and Steampunk range and will be used for games of In Her Majesty's Name.

The rest of the Syldavian Königliche Gendarmerie

Here are the remaining five members of my Königliche Gendarmerie. They are in two pictures, so you'll need to scroll down.

Above are a Feldwebel (sergeant), a senior NCO, in his distinctive red uniform trousers with a Gendarm, that is the basic rank in the Gendarmerie, equivalent to a Soldat (private) in Infantry regiments. Below are three more members of the Gendarmerie, two Gendarms and a junior NCO, a Gefreiter (corporal) on the right. In the Gendarmerie, junior NCOs are only distinguished from rankers by a brass button on each of their shoulder tabs (not visible in the photo).

So, these are the last of my figures for my Syldavian and Bordurian companies for  In Her Majesty's Name . 

I need a new project now.

Some Syldavian troops of the Königliche Gendarmerie

I mentioned in an earlier post that the plainclothes Syldavian secret police, the Vohunska, often call upon support from the Königliche Gendarmerie. Here is an officer and two gendarmes from that fine service.

The Syldavian Königliche Gendarmerie was created in 1855 as part of the reorganisation of the existing regional militia battalions, to serve as both a Police force and a military reserve. In 1871, a separate National Reserve was created, leaving the Gendarmerie as a specialist national Police Force and Border Service. The Gendarmerie is part of the Syldavian army, and uses army ranks, except that the lowest rank is Gendarm instead of Soldat. Senior NCOs hold the rank of Wachtmeister.

The Gendarmerie wears the blue/grey army uniform, first introduced in 1822 (to replace the previous light grey uniforms worn since the end of the 17th century) as modified in 1849 when the kepi replaced the shako. Senior NCOs and officers wear red trousers and officers wear the 1867 pattern officers's kepi with a black leather peak. Other ranks wear grey gaiters with the trousers. Leather is brown for all ranks. The top part of the kepi is in the Gendarmerie's pale blue arm of service colour, as is the crown of the officer's kepi. 

Uniforms are cut in a French pattern and there is a white French-pattern "salacot" helmet, which is often worn on parade or by gendarmes guarding official buildings. In these situations, white gaiters are also worn. Where using a rifle is inappropriate, all ranks wear sidearms and will also be equipped with batons (swords for officers).

These figures are from North Star and are actually Artizan Designs French Foreign Legion ones. Obviously I will be using these figures in games of  In Her Majesty's Name and also in other pulp and Cthulhu Mythos games. 

I think that these will be worthy opponents of the Bordurians I have already painted. I will post the rest of them in future posts.

The final plainclothes Syldavian agents

Well, here are the two final plainclothes members of my Syldavian secret policemen. As previously, they are from the North Star Steampunk range. 

The eagle-eyed amongst you will note that they are duplicate poses to two of the others. I don't see this as any kind of a problem, because they have been painted in different colours. I think that the chap on the left looks a bit like Neville Chamberlain. I expect that he takes a much firmer line with miscreants and ne'er-do-wells though.

I can see these figures in all manner of settings. Blasting away fruitlessly at Shoggoths in Cthulhu-based games is a distinct possibility, as are supporting roles on Pulp games too.

So, now I have to paint up some uniformed members of the Königliche Gendarmerie. That should be fun. When they are done, that will mean that my Syldavian company for  In Her Majesty's Name is complete.

Some more information about Syldavia

In 1878, the 21-year old Miss Dorothea Huntley-Palmer travelled to Syldavia with her parents, Sir Arthur and Lady Caroline, for the coronation of the new King, Muskar VII. Sir Arthur was travelling in an official but unspecified capacity as a representative of Her Majesty’s Foreign Office.

      This image is by Edward Lear of the Albanian city of Durres.

The Huntley-Palmer family had a long history of visiting Syldavia, dating back to Captain (later Sir) William Huntley-Palmer of the 11^th Dragoons, who travelled widely in that country in the mid-18th century at the behest of the British government, first visiting Syldavia in 1753 on the orders of General Sir George Augustus Melchett, a relative and his superior in an unnamed government department. William Huntley-Palmer lived in Syldavia for a number of years and in 1763 married the 22-year-old Doroteja Svinjske-Klobase, a member of a noble family related to the Syldavian Royal House of Almaszout.

Before visiting the country, Dorothea (named after her Syldavian ancestor) investigated the journals and papers of her illustrious forefather and because of family connections was able to consult many documents contained in the Melchett Archives.

William Huntley-Palmer was resident in Syldavia between 1756 and 1764 and wrote at length about the people, customs, places and history of the country. Dorothea was most interested in the capital city Klow (variously pronounced as Klau, Klov and Klor), because that is where she would be residing initially. In one report, Sir William describes Klow as;

"an ancient but well-preserved city, constructed of pale yellow limestone with several grand palacioes in the Venetian style, possessing a number of fine antique ruins from the Roman period. The Basilica of St Budvar gives the appearance of great antiquity and was surely constructed by mighty engineers from imperial Rome or Constantinople in the years of its glory This great church is decorated in the Byzantine manner, with many mosaics and icons and has a great dome of ancient and ingenious construction. Much of the water supply to the Old City comes from a still-functional Roman aqueduct. The Old City, which occupies the long ridge overlooking the confluence of the Wladir and Moltus rivers is still known by its Roman name of Klovinus and is dominated by the great mass of the mediaeval Castle, formerly the Royal Residence and location of the Royal Court, although nowadays there is a modern Royal Palace built in the French style facing the Castle across the main square. The Castle itself is of a stern aspect and strongly built in the old Italian manner, with all manner of machicolations, arrow slits, round towers and fortified gateways”.

Sir William writes at length about the Old City, noting that many mediaeval buildings were razed to allow the building of the New Palace, which was only completed in 1742, although construction had begun in the 1720s. Sir William himself spent some time residing in a mediaeval tower house in the Old City, once the residence of Sidekar Krutusne, a famous warlord of the Slavonic Hvegs in the 15th century. Close to the Basilica, the house bore a bas-relief indicating that in 1464 its owner had been made one of the founding Knights of the Order of the Black Pelican. The carving above the entrance to the house showed a Pelican Rampant, bearing in its beak a scroll emblazoned with the Latin phrase “hoc signo vinces nigrum onocrotalus” and dated 1464.

Sir William also describes the newer parts of the city of Klow, which are mainly on the south bank of the River Wladir, although there are many houses and warehouses of the 17^th century on the slopes outside the Old City Walls that lead down to the wharves that line the northern bank of the river. To the north of the city, he describes the market gardens and small farms that have sprung up over the centuries to feed the urban population. He also notes the remaining Roman ruins at the western end of the Klovinus ridge, enclosed in a walled park which forms part of the modern Royal Palace. In his words;

“The remaining vestiges of Roman Klovinus, which was built on the site of an Oppidum of the Illyrian tribe of the Kallipians, are to the west of the Palace and are part of the parklands in which King Ottokar, his wife Queen Octavie and their children may be found taking the airs and enjoying musical performances in the simulacrum of a small Roman theatre which has been reconstructed from the stones left from the destruction of much of the mediaeval city. The remains themselves consist of two pillared temples, one still with its roof, the lower floor levels of a great villa, some statuary and a square building which had been decorated with mosaics in the Christian period of Roman rule. The famous aqueduct, which is one of the marvels of the country, lies elsewhere, entering Klovinus through a tunnel through the walls further east, filling the great cisterns beneath the Castle. These waters come from the north, transported by this great Roman enterprise from springs high above the fortress of St Vladimir, which was rebuilt in the manner of Marshal Vauban in the early 1700s.”

Discussing modern Klow, Sir William says;

“The Lower City, the Extra-Muros, dates mainly from the 15^th and 16^th centuries. It is found on the Right Bank, that is to say the northern side of the great River Wladir. Much of the building is in the Venetian style and there are a number of fine Palacios belonging to merchant families. At the western end of the Extra-Muros is the Quarter of the Musselmen, where the tall towers of their temples, known as Mosques, dominate the skyline. There are also numerous residences on the terraced slopes leading down from the Old City Walls, which were once the mansios and hotels of various Syldavian lords and gentry, although these are mostly now much decayed and occupied by those artizans and workers of the Old City whose homes were razed to build King Ottokar’s father’s new palace. The Lords and Gentlemen have decamped to a location to the east of Klow, in the tongue of land between the Moltus and Wladir rivers. Formerly the fishing village of Sankt Budvarius (there is a shrine to the saint situated close to the river), since the middle part of the 17^th century this village has been built up into a sophisticated suburb with a theatre for the Opera and other musical diversions. South of the Wladir, the Left Bank may be reached by three great bridges. New Klow proper can be found here. Close to the river, there are many enterprises and manufactories and the houses are small and close together. This area was formerly known as die Häfen, that is to say, The Harbours. This is where the urban poor and labouring classes of New Klow are concentrated. South of these warrens, past the New Market of Klow, built in 1670 by the order of King Muskar IV (grandfather of the current King), there is much new building, including districts of fine houses when the new middling classes reside. At the western edge of the New City lies the Champs de Mars (named in the French way) and the main depots and barracks of a number of regiments of the Syldavian army. None of New Klow is walled and the city is extending southwards as the population grows”

Dorothy notes that her family will reside in a mansion in Sankt Budvarius which is currently the British Embassy. Since the 1760s, Sankt Budvarius has developed into an administrative centre, with a number of government ministries and foreign legations and embassies located there.

In her journal, Dorothea writes that her family and personal servants would travel across Europe by train to Venice, before taking a steamer to the main Syldavian port of Dbrnouk, from whence they would complete their journey by train to the capital. She expresses a desire to explore the old town of Dbrnouk and practice her watercolour techniques by painting the ruins of the Venetian castle. She tells us that she is much taken with the story of the first King of Syldavia, Muskar I, recorded in mediaeval documents as Muscarius Hivegiorum, that is to say Muskar Hveghi or Muskar of the Hvegs, who became king in 1127, leading an army of Hvegi and Istrovni supported by Venetian and Carinthian mercenaries, overthrowing the last Turkic khan of Lower Syldavia at the Battle of Zileheroum. Legend tells that the night before the battle Muskar dreamt of a giant black pelican who flew out of the dawn bearing in its beak a scroll inscribed with the words “hoc signo vinces nigrum onocrotalus”. This legend will much later on give birth to the Knightly Order of the Black Pelican.

Dorothea writes that the Hvegi and Istrovni were Slavonic tribes who had migrated into the region in the 6^th century, and who were later “enslaved” by Turkic-speaking tribes from the area north of the Black Sea, who conquered the Duchies of Klovinia, Zympathia and Istrovia in the 10^th century. The first recorded Slavic ruler of the area was Budvar I, known as Budvarios Sclavenios in a document from the reign of the eastern Roman emperor Tiberius II Constantine. The inhabitants were referred to as the Klovinioi. The 8^th century Notitia Syldaviarum tells us that the peoples (populi Syldavari) of Upper and Lower Syldavia are comprised of the Illyrian Ghogs, the Syldavi (descended from Roman colonists), the Gothic Tervingi and the Slavic Istrovni and Hvegi.

Other things that Dorothea discovers in the Melchett Archives date from the end of the 18^th century and the early years of the 19^th.. One of these is that Admiral Nelson spent some time in the southern port of Cataro with Lady Hamilton in 1799, while his ships were refitting in the great Cataro Lagoon, a safe harbour for many ships. Another is that her grandfather Sir Robert Huntley-Palmer (b.1794 d.1867) met Lord Byron in Klow in 1819, while visiting the country as a guest of Count Otto Svinjske-Klobase, a member of his grandmother Doroteja‘s family. Dorothea expresses the hope that she will also meet her Svinjske-Klobase relatives while staying in Klow. She writes, somewhat colourfully, of her desire to meet dashing young Syldavian Hussar officers and being able to attend glittering balls and soirées where she can spend her time dancing amidst the cream of Syldavian society. She notes that her great-uncle Lt. Col Henry Huntley-Palmer (b.1801 d.1889) was British Military attaché to Syldavia in the 1850s and was an observer present at a number of engagements between Syldavia and Borduria in the War of 1859-1863, which eventually led to the end of the Bordurian Autocracy and the rise of its present Dictatorship.