Finally! A few more completed figures.

This doesn't mean the arthritis has gone, just that I've had enough time to get these few done, a slow and infuriating 10-15 minutes of painting a day.

 

These are all Copplestone Back of Beyond British troops. Above is a Lewis gunner and an ammunition carrier, who make a nice two-man team and below are two more Lewis gunners, who really need a couple of ammunition carriers to make useful teams, but unfortunately North Star don't sell those guys separately.

I'll probably swap the gunner in the top photo with the one on the left in the lower one in actual games, so that they are both in shirtsleeves order.

I'm probably going to have to buy a couple more of the Riflemen packs to create a platoon of three sections of 10 men (7 riflemen, 2-man Lewis team and NCO) and then use existing figures for a platoon HQ (lieutenant and sergeant, plus a couple of runners). A source of spare Lewis magazines would be great to add to the webbing of two ordinary riflemen. I shall have to look online.

A complete platoon would be great for some 1920s and 30s Chain of Command in Central Asia, but would also be fine for other settings too.

A few more finished figures

These would have been finished a week or so ago but an arthritic flare-up in my right wrist made painting difficult and painful. Anyway, here are two angry Yetis from the Copplestone Back of Beyond Adventurers set.

Blue skin and white fur seems to be de rigueur for a Yeti these days, but I wanted mine to be more naturalistic colourwise. I thought that a Yeti living in the woods or below the level where everything is covered in snow would need to blend in with its surroundings, so I chose a brown palette. I think that these are terrific figures which could fit into many different games and locations. I am particularly pleased with their reddish skintone.

The next figure is from Bad Squiddo. It is a Forest Spirit.

I've had this figure for absolutely ages, maybe as long as three or four years and it has been undercoated for most of that time. I thought I really ought to get it finished. It is a resin figure, cast by Ristul and is a sort of manifestation of the forest in animal form. I think it is a lovely piece, a spirit inhabiting a body that is both tree and creature combined.

I've got a few more figures finished, but I'm not happy with the photos, so I'll have to redo them tomorrow.

By the by, I don't recommend having arthritic wrists. It is not only very painful but it really limits what you can do.

Anyway, I won't be starting anything else off because I'm off on holiday soon.

Copplestone Back of Beyond British infantry

Well, I've done the officers, so here are some rank and file for them to command. There are ten figures in total.

The group above are led by an NCO (with raised arm). The following two groups make up the rest of his section of riflemen.

As with the officers, I think that their KD tropical uniforms are slightly too green, but I don't think it matters that much. One thing that I think does matter is that they are wearing shorts, which I don't think were introduced with the tropical KD service dress until the mid-1930s, so these infantrymen might be a bit of an anachronism in the period immediately after the First World War and in the 1920s. Still, these are intended for all manner of games, some of which will involve Egyptian mummies that walk, unspeakable eldritch horrors and all manner of other weird things, so nit-picking over uniform details seems a bit pointless.

I bought a blister pack of Lewis gunners to add some firepower to this rifle section, hoping that I might get two gunners and two loaders/spare magazine carriers. Sadly, the set only comes as pictured, three gunners plus one loader. I enquired from North Star as to whether it might be possible to buy two loaders alone but apparently this isn't possible, which means I have one Lewis team and two extra gunners that I doubt I'll bother painting up, which is a shame. I'm not sure what I'll do with them.

Copplestone Back of Beyond British officers

Following on from the archaeologists, here are four British officers from the excellent Back of Beyond range, available from North Star. 

These four are (obviously) fine upstanding chaps, complete with stiff upper lips, an inherent sense of fair play and are from good schools and families with military backgrounds. All of them have survived the horrors of the Great War and now serve somewhere along the southern fringes of Central Asia or the Northwest Frontier.

Clearly, they must all be named, so left to right, we have; Maj. George Huntley-Palmer (on the staff of the Surveyor General of India), Capt. Hugh Andover-Fiste (twin brother of the notable archaeologist Giles Andover-Fiste), Capt. Oliver Marchmain and Lieut. Archibald "Archie" Walton.

My next post will cover some of the rank and file infantry I have planned.

I really like these chaps, but I'm not sure that the Vallejo khaki drill colour is really right for early- to mid-20th century British Army tropical uniforms. I think it is too green. Of course, we all know about the variations between uniforms from different manufacturers and the effects of weather and wear upon fabrics, so I'm not particularly bothered about this. They'll look fine on the table.

Copplestone Archaeologists

Ages ago, back in 2017, I painted the female archaeologists from Mark Copplestone's excellent Back of Beyond range. Now, much later, here are the male ones, available from North Star;

These guys are quite well tooled-up compared with their female counterparts and I see the two outer figures being more as adventurers and minders than actual academics. Still, all that firepower should come in handy when the inevitable nasties and horrors turn up.

Unlike the female ones, who I gave detailed biographies, I've only got as far as giving these chaps names.  From left to right they are; Giorgi Dolidze, a Georgian soldier of fortune, Giles Andover-Fiste, a member of the MCC and a gentleman amateur archaeologist, Doctor Petros Sarkisian, a famous Armenian archaeologist working at the Sorbonne and Hans Jansson, a Swedish explorer.

They seem a suitable bunch to pitch up almost anywhere looking for rare and arcane artefacts, scruples optional, no doubt.

Clearly, these are highly suitable for Pulp, Cthulhu Mythos, eldritch horror and other similar settings. They were huge fun to paint, because they are such nice figures. 

OK, so what exactly have I been doing since my last post back in December?

Well, we did have the Christmas festivities, so I will own up to eating and drinking too much 😋 and watching a lot of stuff on Netflix, Prime and the actual telly channels.

I got some wargaming-related presents too; the second edition of the Frostgrave rules, some Artizan 28mm Wild West gunslingers, some Copplestone Back of Beyond Chinese bandits, a couple of Copplestone Future Wars figures in power armour (which I intend to use as combat droids for my ROTOR sci fi skirmish rules) and a couple of the Bad Squiddo Ghosts of Gaia that I didn't already have. I now have most of the range, which is one of my favourite sci fi ones around.

I also bought some 15mm figures for my first project of 2021. I expect that you are asking yourselves what did I buy?

Well, the figures are to go with a set of rules which I found on eBay together with the accompanying source and reference books, as I referred to in my previous post, which were originally published back in 1993 by a rather well-known gaming company.

I have now undercoated and started painting the figures, making reasonable progress with them. I am hoping to have at least a few of them finished by the end of the week, at which point I will reveal all regarding the project.

Bringing Syldavian history into the 19th century

Yesterday, I wrote a piece about the 19th century history of Borduria, so today I am going to do the same for its western neighbour Syldavia.

I will begin with the death of Ottokar IX in 1776. He was succeeded by his grandson Muskar, whose father, the Crown Prince Viktar had died in 1774 in a hunting accident. Muskar VI had never expected to become king and had pursued a life in antiquarian and literary studies until the death of his father. His wife, Sophie de la Boissière was French, as was his mother, Queen Octavie. Muskar, despite his bookish demeanour was an able ruler, willing to listen to advice from his chief ministers and advisors. A child of the Enlightenment, Muskar VI introduced political reforms influenced by certain aspects of the aftermath of the American War of Independence and began to reject the absolutism of the French monarchy, despite his mother's family connections. However, he was appalled at the French Revolution and the Terror, during which his aristocratic father-in-law perished in the Place de la Guillotine. Numerous exiled French royalists fled to Syldavia and their anti-revolutionary sentiments shifted Muskar away from making further reforms. Syldavian policies shifted towards supporting the anti-Napoleonic Third Coalition and many Syldavian regiments fought alongside the Austrians, suffering heavy losses at the Battle of Austerlitz, which led to Syldavia pursuing a path of neutrality from 1806 until 1809, when Syldavia joined the Fifth Coalition (as did Borduria). The Syldavian army fought alongside the Austrians in the 1809 Dalmatian Campaign and a Syldavian Corps fought at Aspern-Essling and again at Wagram, suffering heavy casualties in the latter battle, which ended the Coalition.

Syldavia sent troops to fight in the Sixth Coalition, but not in large numbers as there were fears of a local war breaking out with Borduria, the perennial enemy in 1813.

After the Congress of Vienna in 1814, Syldavia and Borduria signed a non-aggression Treaty which would last until the 1850s.

Muskar VI died in 1822 to be succeeded as king by Crown Prince Johannes, who ruled as Johannes I. His Queen was Lucrezia di Grissini, the granddaughter of the famous 18th century Italian soldier of fortune and Syldavian general, Ercole di Grissini. Johannes ruled over a period of Syldavian prosperity and gradual democratisation. Limited male suffrage was introduced in 1830 and the electoral qualifications were widened again in 1848, to try and contain the revolutionary fervour that gripped much of Europe. Syldavian politicians managed to resist the revolutionary pressures from below by bringing in measures to liberalise employment laws and introduce improved Poor Laws. The Constitution of 1849 codified the role of the monarchy and the newly-reformed parliament (Versammlung or Parlament in the local official languages).

The liberal rule of Johannes contrasted greatly with the repressive authoritarianism of Constantine III and Alexandros I in Borduria, and Syldavia became a refuge for Bordurian radicals in the years leading up to the Bordurian Coup of 1858. This was to become a major cause of the outbreak of war between the two countries in 1859, lasting intermittently until 1863 with the defeat of Borduria.

Johannes I died in 1877, having seen the end of the Bordurian Autocracy and the rise of the revolutionary Republic of Borduria. His successor, his son Muskar VII followed his liberal rule, ensuring that the Syldavian state was secure from revolutionary civil war by continuing to enact a series of laws improving the lives of the growing urban working classes and rural peasantry, including free education (for boys only) until the age of 12 and a limited free hospital system in major centres of population. At the same time, he modernised the Syldavian military and created a Security and Intelligence Service, the Varnosti Policija, popularly known as the Vohunska, whose role was very much aimed at countering Bordurian attempts to subvert and overthrow the Syldavian monarchy and state. Unhappily, Muskar VII only ruled for a short time, dying of a rare disease in 1882. He was succeeded by his brother Marko, who ruled under the regnal name of Muskar VIII.

Ok, so that is where we are now in Syldavia and Borduria. All set for intrigue and hopefully games of pulp and In Her Majesty's Name featuring the two countries and their secret agencies. All I need now is to find some suitable late-19th or early-20th century miniatures to serve as Syldavians. Still, it isn't as though I have much else to occupy my time at present.

A Return to Borduria - bringing my imaginations into the late-19th century.

As regular readers of this blog will know, I am a huge fan of the figures produced by Mark Copplestone. I've long admired his Back Of Beyond range, but I've never really wanted to buy large armies of the figures. However, it occurred to me that I could use his Bolsheviks for a band in games of In Her Majesty's Name and also in 7TV Pulp games. So, I need a setting for them, and where else should that be except in Borduria? So, here is a brief account of what happened to Borduria during the 19th century.

After the end of the Napoleonic Wars, during which both Syldavia and Borduria found themselves on the same side in various coalitions against the Emperor, things slowly began to change for these small nations. I shall come back at some future date to discuss Syldavia in the 19th century, so this will be all about Borduria.

The beginning of the 19th century saw the coronation of Autokrat Constantine III on New Year's Day 1802 He was the grandson of Constantine II who ruled the country from 1747 until his death in 1782, when he was succeeded by his son Demetrios I Cantacuzene, who was assassinated by an unknown hand in 1801.

Constantine III was very much under the influence of the Russian party in the Bordurian court, which had gained an ascendancy over the pro-Prussian faction in the last decade of the 18th century. The leader of the Russian party in the Samovar (the Bordurian assembly of boyars and de facto royal council), Count Pyotr Strabomytes of Kardouk (the son of the Count Strabomytes against whom Sir William Huntley-Palmer fought a duel in Trieste in 1765) began to push Constantine towards a much more pro-Tsarist position.

Following the Congress of Vienna in 1814, Constantine III began to consolidate his position by purging the army of Prussian influences and beginning a period of Slavicisation of the organs of the state and the oppression of Roman Catholicism. Constantine promoted the most conservative elements in his court and during his reign, which ended in 1838, the country became more and more authoritarian. Following his death, his son Alexandros I continued his father's policies, with strict censorship of the press and a tightening of control over the country's education system, at one point closing all of the country's four universities for five years.

Alexandros I was assassinated by an Anarchist faction in 1851, without leaving an adult male heir. This led to a period of instability for a few years, with the Samovar appointing Count Michaelis Bazarov as co-regent with Alexandros' widow Elizavetna Romanova. Bazarov became unpopular with many boyars and landowners once his relationship with the Dowager Empress became clear and he was removed from office and imprisoned in Peshod Castle, where he died in mysterious circumstances. His removal allowed the young and ambitious Count Georgios Cantacuzene, from a junior branch of the ruling House to raise up an army and overthrow the Samovar in 1858. Refusing the title of Autokrator, he was acclaimed by a faction of liberal landowners as Voivode, adopting a traditional pre-Autocracy title for the ruler of the country. At first, the reign of Georgios seemed to herald a new dawn for Borduria, with a relaxation of the repressive laws of Constantine III and Alexandros, but liberalisation coincided with a renewal of war with Syldavia, leading to a succession of military defeats. Conservative elements in the Army and amongst rural boyars, supported by Tsarist agents in the country, launched a coup against Georgios, who was deposed and murdered in his palace in the capital, Szohôd in August 1865. Alexandros' son, Constantine was brought back from exile in Saint Petersburg, where his mother had taken him in 1859 and crowned Autokrator in October 1865. The return of repression was inevitable, but this time there was much opposition inside the country and civil disturbances, strikes and violence spread until it was necessary for Constantine IV to declare martial law in 1868. 

There were many Bordurian exiles living across Eastern and Central Europe and these had organised political and revolutionary movements, some with links to German nationalists, other with Syldavian elements and still more with Marxist, Socialist and Anarchist groups. As martial law bit deep and unrest began to turn into conflict, the leader of the Proletarian Alliance, the largest exile Marxist grouping, Eugenios Laskarios, agreed a pact with the peasant Agrarian League and the (illegal) anarchist Union of Workers to form the Bordurian Proletarian Party. Fomenting dissent in the Army and carrying out a wave of assassinations and acts of terrorism, the BPP led the country in a general uprising in 1869. Many regiments of the army mutinied and killed their officers and a short but bloody Civil War ensued.

The city of Szohôd was besieged and other cities and towns began to rise up and expel their local governments. By the end of 1871, most of the country was in the hands of the BPP and Constantine and his family fled to Syldavia, from whence he made his way to Switzerland and then Russia. Laskarios proclaimed the end of the Autocracy and the beginning of the Bordurian Republic on the steps of the Royal Palace on March 1st 1872. He assumed the title of First Minister of the People's Provisional Government and began the process of purging the country of the old absolutist aristocracy. However, the process of nationalisation and the redistribution of land didn't run smoothly. There were disagreements and ideological differences in the Parliament and before long Laskarios and his Proletarian Alliance comrades realised that to preserve the revolution they would have to purge the government of its opponents and rule the country as a one-party state. In 1874, Laskarios shut down Parliament and his secret police and party militia launched another coup which brought about the final act of the Bordurian Revolution.

Since then, the Proletarian Alliance has ruled the country, with its head being known as the Chief Commissar. After the death of Eugenios Laskarios in 1881, the Leader has been Chief Commissar Michaelis Ivanovich. The Bordurian Secret Police, the Second Directorate (also called the Sekuritat), controls the press and oversees state security, while the Third Directorate is a secret intelligence organisation that operates in neighbouring countries, as well as those further away who harbour émigré Cantacuzenist and aristocratic communities and factions. These factions are all grouped together under the broad title of Autokratians, after the old title of the Bordurian Crown. Bourgeois and Liberal democratic groups are also targeted by the Third Directorate, popularly called the Informat.

Informat active units are not only intelligence gatherers and spies. They also carry out abductions and assassinations, as well as building up links with revolutionary groups and even criminal gangs in capitalist countries. 

Another day, another group of figures.

I've been working on these since yesterday morning and now they are done. These are from the Copplestone Castings "Back of Beyond" range. I bought them from North Star.

They are listed in the catalogue as "American Adventurers", which I'd say was a pretty accurate label for them.

The guy on the left with the bullwhip and automatic pistol is, I have decided the famous archaeologist and treasure hunter, Dr. Jackson "Idaho" Smith. Next to him is grizzled former Texas Ranger Captain Ezekiel Hardiman, with his sidekick, ex-Agent Wes "Browning" Westerley. Finally, on the right is Jimmy "Hot Rod" Lincoln, so-called because of his love of fast motorbikes, automobiles and aeroplanes.

These are going to be great when I finally get a chance to put them on the table in some actual games of 7TV Pulp.

I must admit to being increasingly drawn to the Copplestone Back of Beyond figures. They offer up lots of possibilities, not only for Pulp gaming but also for In Her Majesty's Name scenarios, especially those from the "Sleeping Dragon, Rising Sun" supplement. The Chinese Bandits are particularly appealing.